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Invictus
by William Ernest Henley; 1849-1903

Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the horror of the shade,
And yet the menace of the years
Finds, and shall find me, unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate;
I am the captain of my soul.

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I once found a poem called 'The Hyphen' on the Internet about the hyphen, which separates the dates of birth and death on a typical tombstone. I liked the concept and re-wrote the poem for a presentation when I was unable to access the original.

The Hyphen

(Through the eyes of Martin Collis)

I read of a man who was asked to speak at the funeral of a friend.
He referred to the dates on the tombstone, the beginning and the end.
The first and the last days are markers in time.
But what do those days really mean?
What matters is not the birth or the death
But the hyphen which lies in between.
For the hyphen is time you spend on this earth.
Just a hyphen to show what a life's really worth.
And it isn't a house; it isn't a car,
And it isn't a 53 Gibson guitar.
It's not a position; it's not a possession
Or membership in a prestigious profession.
It's not in the labels on your clothes or your shoes
Or the places you've been or seen on a cruise.
We're human beings, not human doings
Who pursue money and fame and keep on pursuing
The words on the tombstones are kindness, and love,
Family, friendship and laughter.
These are the things that continue to ring
When your body has reached the hereafter.
Chose wisely and well when selecting the goals
That you chose to base your life on.
To miss the joy is to miss it all
And a terrible waste of a hyphen.

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william_ernest_henley.jpg
Detail from photograph of the parish church and graveyard at Stoke Poges in Buckinghamshire, taken by Sir John Benjamin Stone (1838-1914), in August 1909. This is the parish church which inspired Thomas Gray's (1716-71) poem, 'Elegy Written in a Country Churchyard'.
The poet is buried in the church graveyard.


Selected verses from Gray’s Elegy

Let not Ambition mock their useful toil,
Their homely joys, and destiny obscure;
Nor Grandeur hear with a disdainful smile
The short and simple annals of the Poor.

The boast of heraldry, the pomp of power,
And all that beauty, all that wealth e'er gave,
Awaits alike th' inevitable hour:-
The paths of glory lead but to the grave.

Nor you, ye Proud, impute to these the fault
If Memory o'er their tomb no trophies raise,
Where through the long-drawn aisle and fretted vault
The pealing anthem swells the note of praise.

Can storied urn or animated bust
Back to its mansion call the fleeting breath?
Can Honour's voice provoke the silent dust,
Or Flattery soothe the dull cold ear of Death?

Perhaps in this neglected spot is laid
Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have sway'd,
Or waked to ecstasy the living lyre:

But Knowledge to their eyes her ample page,
Rich with the spoils of time, did ne'er unroll;
Chill Penury repress'd their noble rage,
And froze the genial current of the soul.

Full many a gem of purest ray serene
The dark unfathom'd caves of ocean bear:
Full many a flower is born to blush unseen,
And waste its sweetness on the desert air.

Some village-Hampden, that with dauntless breast
The little tyrant of his fields withstood,
Some mute inglorious Milton here may rest,
Some Cromwell, guiltless of his country's blood.

Their lot forbad: nor circumscribed alone
Their growing virtues, but their crimes confined;
Forbad to wade through slaughter to a throne,
And shut the gates of mercy on mankind,

Far from the madding crowd's ignoble strife,
Their sober wishes never learn'd to stray;
Along the cool sequester'd vale of life
They kept the noiseless tenour of their way.

Yet e'en these bones from insult to protect
Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture deck'd,
Implores the passing tribute of a sigh.

Their name, their years, spelt by th' unletter'd Muse,
The place of fame and elegy supply:
And many a holy text around she strews,
That teach the rustic moralist to die.

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