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I wrote Ethiopian Eyes at the time of the original Live Aid concert in July ’85. lonnie.jpgI was in New York with my family and I remember looking through the Village Voice to see if there was any good music in the Village clubs. The only name that attracted me was Lonnie Mack , a guitarist who did a great instrumental version of ‘Memphis’, but I decided to take the family out to dinner. Next morning I was stunned to see who did drop by to see Lonnie Mack at the Lone Star Café and do a warm up jam for Live Aid. None less than my hero Bob Dylan and Mick Jagger and the Rolling Stones. ymick.jpgI knew Mick before he was a Stone when he was my assistant counselor at a summer camp in England. (I got the job from his dad who was a Phys. Ed. Prof.). His father told him, “Music’s fine for a hobby, but you’re not going to make a living at it.” Who would have guessed that Bob and Mick would still be performing and filling arenas in their 60s. I guess the term “The 60s” has a whole new meaning for them.

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Ethiopian Eyes
by Martin Collis (1985)

It was a cold December evening
The type of night it might have snowed
I picked up my TV remote control
My Sony Trinitron glowed.
I checked in my copy of the TV guide
They were showing the year in review
The Canadians do that sort of thing so well
So I clicked the switch to channel number 2.

There was a plane that crashed
There was a 100-metre dash
There was a child that fell down a well
There were pickets on strike for another pay hike
There were riots that soldiers had to quell.
Gorbachev and Regan on the White house lawn
And one of them appeared to be wise
But my gut turned to stone and my brain it was torn
By a pair of Ethiopian eyes

Ethiopian eyes, Ethiopian eyes
It all seems a web of stupidity and lies
When you stare through a pair
Of Ethiopian eyes.

Well I went to church on Christmas evening
And the people were crowded in the pews
The lady next to me wore a 1000-dollar coat
And her husband had 300-dollar shoes
There were people there that spent more on their hair
Than Africans could ever spend on food
So maybe if their tresses were more of a mess
Then a few less stomachs would protrude

And I know that the answers are not simple
And I know the complications of the trade
And I know about corrupt politicians
And I know that the farmers must be paid
And I know about the kindness of the Christians
With their eyes and their minds on paradise
And I now how ridiculous the whole thing appears
Through a pair of Ethiopian eyes

Ethiopian eyes, Ethiopian eyes
It all seems a mountain of cupidity and lies
When you stare through a pair
Of Ethiopian eyes.

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It’s easy to by cynical about LiveAid and Live8 but John Doyle provides an interesting Irish perspective on why it’s Bob Geldof and Bono who have such a concern for world hunger.

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The Song of the Shirt

I like rhythm and rhyme and a certain type of narrative poetry. Thomas Hood is regarded as a lesser poet of the romantic era, but he had a strong social conscience, probably as a result of his own financial and health related struggles. Legislation and media exposure have eliminated the worst of the sweatshops from developed countries, now we hide them away in 3rd world countries where ‘The Song of the Shirt’ still has meaning.

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The Song of the Shirt

by Thomas Hood

With fingers weary and worn,
With eyelids heavy and red,
A woman sat, in unwomanly rags,
Plying her needle and thread—
Stitch! stitch! stitch!
In poverty, hunger, and dirt,
And still with a voice of dolorous pitch
She sang the "Song of the Shirt."

"Work! work! work!
While the cock is crowing aloof!
And work—work—work,
Till the stars shine through the roof!
It's Oh! to be a slave
Along with the barbarous Turk,
Where woman has never a soul to save,
If this is Christian work!

"Work—work—work
Till the brain begins to swim;
Work—work—work
Till the eyes are heavy and dim!
Seam, and gusset, and band,
Band, and gusset, and seam,
Till over the buttons I fall asleep,
And sew them on in a dream!
"Oh, Men, with Sisters dear!
Oh, men, with Mothers and Wives!
It is not linen you're wearing out,
But human creatures' lives!
Stitch—stitch—stitch,
In poverty, hunger and dirt,
Sewing at once, with a double thread,
A Shroud as well as a Shirt.

"But why do I talk of Death?
That Phantom of grisly bone,
I hardly fear its terrible shape,
It seems so like my own—
It seems so like my own,
Because of the fasts I keep;
Oh, God! that bread should be so dear,
And flesh and blood so cheap!

"Work—work—work!
My labour never flags;
And what are its wages? A bed of straw,
A crust of bread—and rags.
That shatter'd roof—and this naked floor—
A table—a broken chair—
And a wall so blank, my shadow I thank
For sometimes falling there!

"Work—work—work!
From weary chime to chime,
Work—work—work—
As prisoners work for crime!
Band, and gusset, and seam,
Seam, and gusset, and band,
Till the heart is sick, and the brain benumb'd.
As well as the weary hand.

"Work—work—work,
In the dull December light,
And work—work—work,
When the weather is warm and bright—
While underneath the eaves
The brooding swallows cling
As if to show me their sunny backs
And twit me with the spring.

"Oh! but to breathe the breath
Of the cowslip and primrose sweet—
With the sky above my head,
And the grass beneath my feet,
For only one short hour
To feel as I used to feel,
Before I knew the woes of want
And the walk that costs a meal!

"Oh! but for one short hour!
A respite however brief!
No blessed leisure for Love or Hope,
But only time for Grief!
A little weeping would ease my heart,
But in their briny bed
My tears must stop, for every drop
Hinders needle and thread!"

With fingers weary and worn,
With eyelids heavy and red,
A woman sat in unwomanly rags,
Plying her needle and thread—

Stitch! stitch! stitch!
In poverty, hunger, and dirt,
And still with a voice of dolorous pitch,—
Would that its tone could reach the Rich!—
She sang this "Song of the Shirt!"

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“The Bridge of Sighs”
by Thomas Hood

Mad from life's history,
Glad to death's mystery,
Swift to be hurl'd –
Anywhere, anywhere,
Out of the world!

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Here Comes That Rainbow Again

Music and lyrics by Kris Kristofferson
From the album “Essential Kris Kristofferson”
available through Amazon.com
and Amazon.ca


rainbow_double.jpgThe scene was a small roadside cafe,
The waitress was sweeping the floor.
Two truck drivers drinking their coffee.
And two Okie kids by the door.
"How much are them candies?" they asked her.
"How much have you got?" she replied.
"We've only a penny between us."
"Them's two for a penny," she lied.

And the daylight grew heavy with thunder,
With the smell of the rain on the wind.
Ain't it just like a human.
Here comes that rainbow again.

One truck driver called to the waitress,
After the kids went outside.
"Them candies ain't two for a penny."
"So what's it to you?" she replied.
In silence they finished their coffee,
And got up and nodded goodbye.
She called: "Hey, you left too much money!"
"So what's it to you?" they replied.

And the daylight was heavy with thunder,
With the smell of the rain on the wind.
Ain't it just like a human.
Here comes that rainbow again.

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